Olympus was able to get us an early release of the new Tough TG-5 camera and PT-058 housing. While we haven’t had it in the water yet, we were able to get some topside comparisons with the previous model, the Olympus TG-4. Read on to see how this new camera stacks up against one of our all time favorites. Olympus,tough,TG-5,PT-058,waterproof,Underwater,amphibious,Housing,First,Look,Detail,review

Olympus TG-5 and PT-058 Underwater Housing First Look & Detail

Olympus was able to get us an early release of the new Tough TG-5 camera and PT-058 housing. While we haven’t had it in the water yet, we were able to get some topside comparisons with the previous model, the Olympus TG-4. Read on to see how this new camera stacks up against one of our all time favorites.





Backscatter First Look at the Olympus TG-5 and PT-058 Underwater Housing




Still the Undisputed King Of Macro

The Olympus TG-5 carries on with probably the coolest feature ever for an underwater camera, microscope mode. Think of it as super macro on steroids. Olympus TG-5 has the highest reproduction ratio out of ANY camera currently on the market. With this camera there is no subject too small to shoot.



Now Shooting 4K Video and 120p HD

The Olympus TG-5 can capture 4K 30p video, 1080 120p video which is a massive upgrade form the OlympusTG-4. Hi speed video shot at 120p can be slowed down 4x to 30p in post for really cool ultra slow mo effects. Combining slow motion with in camera image stabilization, any minor wobbles from your videos will virtually disappear.



There is a new movie mode added to the camera, meaning you can adjust your quick settings just for shooting video, instead of tweaking one of the still modes like before. You can also still record from other modes, but you will have to rotate the dial to Movie Mode to shoot in 4K and high speed 1080. This also means that there is no 4K video in microscope mode which is a bummer, but not a deal breaker. It will still shoot 1080 60p in the other still picture modes, including microscope mode.



All New Sensor and Processor

The 12MP CMOS backlit sensor is all new and results in major improvements in image quality, with sharper images and improved low-light performance. the new image processor is the same as in the flagship Olympus OM-D E-M1 II. This new image processor allows a maximum shooting speed of 20fps with a Raw buffer of 14 frames and can continuously shoot jpeg images until the card is full.



Focus Peaking and Manual — A Must for Super Macro

Even with high-resolution screens, critical focus is hard to see, especially when shooting in microscope mode with limited depth of field. Focus peaking will show areas of the image that are in focus by outlining the in focus edges in a color of your choice. This makes it easy to see that you got that super tight macro shot in focus without having to see the actual critical focus. This is great for subjects that are in constant motion where it’s hard to see focus because it never stops moving, or for shooters whose eyes might not be able to see perfect focus. Focus peaking is only active in manual focus mode. You can now use the same advanced focusing techniques as mirrorless or SLR cameras by moving the camera in and out from your subject to see the focus peak before snapping your next shot.



Highlight and Shadow Warnings

Olympus has now included highlight and shadow warnings. Highlight and shadow warnings indicate areas of the image that are either completely over or under exposed to the point of no detail being left. These warnings can be activated for live view, image playback, or both. This feature isn’t very useful in live view when shooting with a strobe because the strobe exposure is only shown after the image is taken. It really becomes useful for live view If you are shooting with video lights as you can easily judge your exposure even before taking the picture. Having this feature on image review is the primary way to judge the exposure of your image, so this is a very welcome addition.



New Top Control Dial

There is a new top control dial that is contextual depending on which shooting mode you are in. This top dial is not re-programmable, but it defaults to the function you would most want for each mode. Most of the time it will be set to exposure compensation, but in aperture priority mode it will select your aperture, and when in manual focus it can be used to adjust the focus distance. This makes it much easier to adjust settings on the fly when the action picks up.



Pro Capture Mode — Time Travel to Take Pictures from the Past

Another very exciting feature, and something else carried down from the flagship Olympus OM-D E-M1 II, is the Pro Capture Mode. This feature is basically a pre-roll, allowing you to capture images BEFORE you take a picture. When activated, Pro Capture Mode will start buffering images upon a half press of the shutter button. These images are not writing to the card, but are being buffered through the camera’s internal memory. When you then press the shutter button, whatever images you had buffered will also be written to the card. The idea behind this is to help capture that crucial action moment, so if you are just a split second late when some interesting subject behavior is on display you have an opportunity to still capture the shot. The major drawback to this feature is the inability to synchronize with strobes, so it has not been something we used too much on the Olympus OM-D E-M1 II. Now with the Olympus TG-5 however, you can more easily use a compact video light when shooting, thus eliminating the need to worry about synchronizing due to the constant-source video light.



Conclusion

This is probably the most advanced update to the Olympus Tough line of cameras we have seen yet. The list of updates is impressive — 4K video, hi-speed 1080 video, improved low-light performance, image quality of the new sensor, waterproof to 50ft without a housing, microscope mode’s insanely powerful macro, professional-level features like manual focus with focus peaking, plus much more. With it’s small size, top level performance, and ease of use, it’s a great camera for a primary rig or a secondary backup camera for your BC pocket or boat use.



ProsCons
  • All new sensor with major improvements in image quality, with sharper images and improved low-light performance
  • 4K 30p and 120p HD video
  • Time traveling Pro Capture mode lets you take shots from the past
  • Up to 20FPS burst mode to take advantage
  • Can’t execute a custom white balance in movie mode
  • 4K and 12p HD are only available in movie mode
  • We were hoping this new release would have full manual exposure control








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