Backscatter Home Backscatter HomeSearchHousing FinderContact
Backscatter Underwater Photo & Video
GalleriesArticlesTrips & ClassesBooks

Sunballs - 7 Illuminating Tips to Get Better Shots

Articles » Photo Techniques » Sunballs - 7 Illuminating Tips to Get Better Shots

Font Sizes:
Sunballs - 7 Illuminating Tips to Get Better Shots

Though they are beautiful to see underwater and they add a stunning element to your underwater photos, sun balls can be tricky, as you'll be shooting at the limits of your camera's capabilities. These tips will help you get the most out of your SLR or mirrorless camera.

Fisheye Lens

Sun balls are wide-angle shots. You need to get as close to the subject as you can to get the most amount of light possible from the strobes on the foreground subject.

Canon 5D MKIISigma 15mm fisheye lens, ISO 200, f/22, 1/200, Sea & Sea YS-250 Strobes.

Manual Mode

Manual is the best mode to shoot in. Since the camera will be at the limits of its exposure settings, you'll be better off knowing your settings and being able to adjust as needed.


Use the lowest ISO setting possible on your camera. This will keep the overall exposure down and help pull in the exposure of the sun ball.

A sunball in an underwater image can add interest as a secondary subject. Shot with the Sony A7s.

Fast Shutter Speed

Set your shutter speed to the fastest speed your camera can synchronize with your strobe. This is usually called the flash-sync speed. For SLR and mirrorless cameras, the limit is usually between 1/160 and 1/320 of a second, which will vary by camera model. This will get the background as dark as possible to help pull in the exposure of the bright sun.

Strobes at Full Power

Set your strobes to full power on manual. You need to get as much light on the foreground subject as possible, since you'll be using a small aperture and low ISO to pull in the exposure of the sun ball.

Use a high aperture to keep the sunball tight. Shot with the Panasonic GH3.

Small Aperture

With all the other exposure controls set at their limits, the only setting you have control over at this point is aperture. Adjust your aperture so the foreground exposure from the strobe is exposed properly. For SLR and mirrorless cameras, this is usually in the ƒ/16 to ƒ/22 range (use the highest possible aperture with compact cameras). This will make the sun ball as tight as you can get it. Depending on conditions, you might be able to make small adjustments, but most times you will be limited in what you can do with the sun ball by your need to have a properly exposed foreground.

Canon 1DCCanon 8-15mm fisheye @ 15mm, ISO 320, f/16, 1/200, Inon Z-240 Strobes.

Hide Your Sunball

Use a subject, like an animal, a diver or soft coral etc. to block out a portion of your sunball, for added interest to your image. Using available light only, your subject hiding the sunball will appear in silhouette. Or, get very close to your subject to properly light it with strobes.

Bonus Tip

Using a point-and-shoot camera?

These have much faster flash-sync speeds, making it easier to dial in the correct sun-ball exposure.

Shoot with Us


EMAIL (please enter it twice)







Rear Curtain Sync - Put motion in your underwater photography
The team here at Backscatter is celebrating recent advances in TTL circuitry for underwater housings. You can read a summary of these new options in our TTL roundup article. Personally, I’m most excited with the ability to use rear curtain sync with Canon DSLR cameras.

The Best DSLR Camera Settings for Underwater Photos
Let's face it, while today's DSLR cameras have tons of features and menu items for customization, that can be overwhelming to the new shooter, or to one who makes only a couple of dive trips a year. Worse yet, some settings could give the false impression that your equipment is faulty, when a simple setting change solves the problem. Here are our best tips for getting started.

Mastering Macro Underwater
Generally, anything small enough to fit within a 5-by-7-inch area is considered macro. Lots of subjects fall into this category — fish, crustaceans, abstract details and more. Photographing subjects this small requires getting close and using special macro lenses.

5 Tips For Pro-Looking Photos From Your Compact Camera System
Shooting in RAW, adding a strobe, taking control of your exposure, getting closer, and using macro mode will be discussed in these 5 tips to get professional looking photos from your compact camera system.

Wide-Angle – Easy Tips for Underwater Photos
Anything that’s larger than a basketball should be considered a wide-angle subject. By using a wide lens with at least 100 degrees of coverage, you can get within inches to a few feet of your subject and still maintain an expansive background.

Strobe Placement & 8 Easy Tips for Lighting Your Subjects
One of the most frequent underwater photography questions I hear is, "Where do I put my strobes?" While there is no single solution that works for every situation— and rules are meant to be broken— here are some tips that will help you get the light in the right direction.

More Articles »

Backscatter Home Search Housing Finder Contact
    CHECK US OUT ON:  Backscatter on Facebook FACEBOOK   |   Backscatter on Twitter TWITTER BACKSCATTER UNDERWATER VIDEO & PHOTO
225 Cannery Row, Monterey, California 93940 USA
PHONE: +1-831-645-1082
FAX: +1-831-375-1526
SKYPE: backscatter_west
Showroom Hours
16 Manning Street, Suite 103, Derry, NH 03038 USA
PHONE: +1-603-432-1997
SKYPE: backscatter_east
Showroom Hours


Products by category
Products by part number

Download Backscatter Logos


Visit Our Help Center